CITYSCAPE IN SIGHT AND SOUND (until 5th May 2019)
"Cityscape in Sight and Sound", an exhibition organised by the Hong Kong Film Archive, is being held from 1st February to 5th May 2019 at the Exhibition Hall of the Hong Kong Film Archive. The exhibition offers visitors a glimpse of Hong Kong's past cityscape and landmarks through several hundred pieces of footage selected from Hong Kong Film Archive 's archival film collection, including documentaries and dramas from the late 19th century to the 1960s, as well as film posters and digital album of production stills.
The exhibition begins with the oldest documentary in the Hong Kong Film Archive's collection, "The Edison Shorts", made by the Edison Company in 1898, which captured images of Hong Kong street scenes in late 19th century seen through the eyes of foreigners. Documentaries shot and donated by the former District Commissioner in the New Territories and Secretary for Home Affairs, Mr Denis Bray, record landscapes of the New Territories in the 1950's, which are being shown to the public for the first time. Films which were shot on location from the 1940's to 1960's record numerous landmarks that have disappeared or changed, such as Kai Tak Airport, the former Kowloon–Canton Railway terminus, the café Yucca de Lac, Lai Chi Kok Amusement Park and Queen's Theatre. While made for narrative purposes at the time, the scenes revealed in the films have become today's precious memories, as well as having historical significance.
In addition, the exhibition displays two old cameras commonly used in the 1950s and 1960s allowing visitors to better understand the difficulties faced by cinematographers in bygone days, who had to carry bulky equipment for location filming.
Part of the "Cityscape in Sight and Sound" Exhibition, being held at the exhibition hall of Hong Kong Film Archive.
To complement the exhibition, two seminars in Cantonese will be held by the Hong Kong Film Archive at its Cinema. The first, entitled "Changing Times: Cityscape in Flux", will be held at 2-30pm on 17th February, with film researcher, Gary Wong as speaker. Another seminar, entitled "Cityscape: Stories of Built Heritage", will be held at 2-30pm on 17th March and will be hosted by the former Chief Curator of the Hong Kong Museum of History, Dr Joseph Ting.
Hong Kong Film Archive is located at 50 Lei King Road, Sai Wan Ho (MTR Sai Wan Ho Station Exit A). It is open from 10am to 8pm (or 15 minutes after last screening) Sunday, Monday and Wednesday to Saturday. Christmas Eve and Chinese New Year’s Eve 10am to 5pm. Closed on Tuesdays (except on public holidays). The Box Office is open from 12noon to 8pm (or 15 minutes after the last screening). The Resource Centre is open Monday, Wednesday, Thursday and Friday 10am to 7pm, Saturday 10am to 5pm, Sunday and public holidays 1pm to 5pm. The Exhibition Hall opens 10am to 8pm but is closed when no exhibition is taking place. Admission is free.
For further information see;
TRAVERSING THE FORBIDDEN CITY (until 7th April 2019)
An exhibition "Traversing the Forbidden City - Architecture and Craftsmanship" is running from 11th January to 7th April 2019 at the Hong Kong Heritage Discovery Centre. The exhibition features 18 sets of exhibits, including architectural models, models of dougong (bracket sets) and replicas of ornaments on roof ridges and polychrome paintings, enabling visitors to learn about the rich cultural heritage and remarkable architectural concept of the Forbidden City.
Focusing on the architecture and craftsmanship of the Forbidden City, the exhibition introduces the origin, planning and architectural features of this palace, as well as highlight the most exceptional building in the palace - the Hall of Supreme Harmony.
Highlight exhibits include a model of a seven-tier liujing dougong (lever bracket set) from the Ming dynasty; a model of a one-petal arm, one-cantilever and five-tier pingshenke dougong (bracket set between columns) from the Qing dynasty; "gold tile" (modern work), a type of square floor tile in the Forbidden City; and replicas of the polychrome painting bearing patterns of dragons on the ceiling of the Gate of Heavenly Purity and the ornaments on the roof ridge of the Hall of Supreme Harmony.
The Forbidden City was the residence and court of 24 emperors during the Ming and Qing dynasties. Located on the central axis of Beijing, this imperial palace has been witnessing the changes of time across almost six centuries. It is the world's largest and most well-preserved wooden palace complex.
In addition, the exhibition features the style and characteristics of Chinese buildings in Hong Kong, including the Tang Ancestral Hall at Ping Shan in Yuen Long, Tai Fu Tai and King Yin Lei, to help visitors understand the importance of conserving historic buildings.
Model of a seven-tier liujing dougong (lever bracket set) from the Ming dynasty, which is on display at the exhibition
Hong Kong Heritage Discovery Centre is located in Kowloon Park, Haiphong Road, Tsim Sha Tsui. Admission is free and the exhibition will run until April 7.
Museum opening hours;
Monday to Wednesday, Friday: 10am - 6pm
Saturday, Sunday and public holidays: 10am - 7pm
Chinese New Year’s Eve: 10am - 5pm
Closed on Thursdays (except public holidays), and the first two days of the Chinese New Year.
The exhibition is jointly presented by the Leisure and Cultual Services Department and the Palace Museum.
For further information regarding the exhibition see;
CLAYLABORATION - CONTEMPORARY CERAMIC ART EXHIBITION (until 15th April 2019)
The "Claylaboration - Contemporary Ceramic Art Exhibition" is running from 29th December 2018 until 15th April 2019 at the Hong Kong Heritage Museum. For this exhibition, eight groups of local ceramic artists were invited to collaborate with creative partners from diverse disciplines including fashion design, stage and lighting design, printmaking, creative writing and Buddhism to form cross-sectoral collaborations and create ceramic artworks that infuse new artistic elements.
The participating local ceramic artists, namely Annie Wan, Rosanna Li, Wy Lee and Ryan Hui, Jakie Leung, Chan Kiu-hong, Yokky Wong, Fiona Wong and Nick Poon, worked with their creative partners from different disciplines to bring new creative inspiration to the traditional artistic medium of ceramics through the exchange of ideas, experience and techniques. The creative partners are artist Elvis Yip, space designer Ng Hoi-chi, Buddhist master Changlin Fashi, graphic designer Rex Chan, ceramists Denise Chen and Ryan Cheng, fashion designer Ken Hung, writer Lee Wai-yee, designer Kevin Tang, lighting designer Lee Chi-wai, set designer Jason Wong, photographer Lau Ching-ping and the Hong Kong Open Printshop.
Exhibits on display include "Lushan", a kinetic installation made of tens of thousands of Yixing clay scales; "Mixture", with a main theme centring on the transmission of the ceramic art tradition; "No Story Today" which explores the connection between painting and ceramics; "Falling of Torso", which presents white porcelains in the shape of dancing figures against mysterious stage and lighting effects; "Hello!", a large-scale installation inspired by scenes of an inferno depicted on the wall reliefs of the Haw Par Mansion; "Remark a Bowl", a project which consists of 1000 ceramic bowls and involved nearly 1,000 volunteers; "By Feeling and Remembering…", which replicates the ceramic studio of the artist made of clay, in black and white only; and "A Sense of Eternity - Sea‧Brick, This Sky, Bystander, Shatin", which integrates photography, printmaking and ceramics.
"Lushan", a kinetic installation made of tens of thousands of Yixing clay scales
The exhibition also features tactile exhibits installed outside the gallery to allow visitors to feel the different textures of the ceramic artworks with their own hands. The museum has invited the Acting Director of the Hong Kong Art School, Professor Kurt Chan, to write a feature article for the exhibition reviewing the artworks in the context of contemporary ceramics. A video installation by media artist Elaine Wong is also displayed to show the eight collaborations in their distinctive styles.
The exhibition is presented by the Leisure and Cultural Services Department and organised by the Hong Kong Heritage Museum.
Hong Kong Heritage Museum is located at 1 Man Lam Road, Sha Tin. It is open from 10am to 6pm on weekdays, and from 10am to 7pm on Saturdays, Sundays and public holidays. It is closed on Tuesdays (except public holidays) and the first two days of Chinese New Year. Closes at 5pm on Christmas Eve and Chinese New Year's Eve. The museum is within three minutes walk of Che Kung Temple Station, on MTR Ma On Shan Line. Admission is free.
For further details of the exhibition see;
GOLDEN SPLENDOURS: 20th-CENTURY PAINTED PORCELAINS OF HONG KONG (until 18th March 2019)
The exhibition "Golden Splendours: 20th-Century Painted Porcelains of Hong Kong" is running at Hong Kong Heritage Museum from 19th December 2018 until 18th March 2019. Through the display of more than 200 porcelain objects painted and produced by local painters and porcelain factories, the exhibition illustrates the history and culture of local painted porcelain in the 20th century, showcasing the prime period of the industry.
The exhibition displays various types of local porcelain, including vintage and armorial porcelain ware that was mainly for export, as well as daily and decorative pieces that were widely popular in Hong Kong. Complemented with other exhibits, such as historical photos, manuscripts, hand-drawn designs, pigments and tools, the exhibition will reveal the development and characteristics of local painted porcelain, enabling visitors to learn about the accomplishments of the industry.
In the 20th century, the local painted porcelain industry reached its golden age by producing unique and special painted porcelain appealing to both the Chinese and Western communities. Locally produced porcelain products were exported and sold around the world. In addition to its diverse shapes and rich decoration, the porcelain also combined Chinese and Western cultural elements, showing the distinct local colour of Hong Kong.
Highlight exhibits include a plate in guangcai style with Canton rose in medallion design, a pair of deities in Qianlong fencai style, a plate with a scene of an angel announcing the resurrection of Christ, a covered jar with gilded copper ornamentation and mandarin design in Qianlong guangcai style, a two-handled vase lamp stand with a tobacco leaf pattern, and a pewter-encased square tile ashtray with green butterfly design.
Pair of deities in Qianlong fencai style, which are on display at the exhibition
The exhibition is jointly presented by the Leisure and Cultural Services Department and the Hong Kong Ceramics Research Society, and jointly organised by the Hong Kong Heritage Museum and the Hong Kong Ceramics Research Society.
Hong Kong Heritage Museum is located at 1 Man Lam Road, Sha Tin. It is open from 10am to 6pm on weekdays, and from 10am to 7pm on Saturdays, Sundays and public holidays. It is closed on Tuesdays (except public holidays) and the first two days of Chinese New Year. Closes at 5pm on Christmas Eve and Chinese New Year's Eve. The museum is within three minutes walk of Che Kung Temple Station, on MTR Ma On Shan Line.
For further information about the exhibition see;
TREASURES OF TIME (until 10th April 2019)
A special exhibition "Treasures of Time" is being held at the Hong Kong Science Museum from 7th December 2018 until 10th April 2019. The exhibition showcases a number of magnificent clocks and watches from the 18th and 19th centuries to highlight their historical significance and technological achievements.
The exhibition displays about 120 mechanical clocks and watches from the collection of the Palace Museum. Most of the items in the collection were tributes from Europe presented by Western missionaries to the Qing court, while others were manufactured by local craftsmen in the Imperial Workshops of the Qing court and Guangzhou. A workshop setting from the 18th century in Europe is also being recreated with tools and equipment provided by the Science Museum, London, which is part of the Science Museum Group, to show how craftsmen worked in the past.
Alongside the treasures, special features with the latest technology, animations, models and interactive exhibits have been created for visitors to learn about the principles of different time measuring tools, from ancient Chinese instruments and mechanical timepieces to the latest atomic clocks. In addition, the Science Museum has specially created a series of WhatsApp emoji stickers (Android version only) for the exhibition. Members of the public can download the stickers through the signage at the exhibition hall or Google Play free of charge.
Exhibition hall of the "Treasures of Time" exhibition
The exhibitions is jointly presented by the Leisure and Cultural Services Department and the Palace Museum and is jointly organised by the Hong Kong Science Museum, the Palace Museum and the Science Museum, London and is solely sponsored by the Hong Kong Jockey Club Charities Trust as one of the exhibitions in the Hong Kong Jockey Club Series.
Hong Kong Science Museum is located at 2 Science Museum Road, Tsim Sha Tsui East. It is open on Mondays, Tuesdays, Wednesdays and Fridays: 10am – 7pm, Saturdays, Sundays and public holidays: 10am – 9pm, Christmas Eve and Chinese New Year's Eve: 10am – 5pm. The museum is closed every Thursday (except on public holidays) and the first two days of Chinese New Year. Adult admission costs HK$30 including admission to the Permanent Exhibition Hall, except on Wednesdays when adult admission is HK$10 and admission to the Permanent Exhibition Hall is free. Concessionary rates apply for persons with disabilities, senior citizens age 60 and over and child under 4 years.
For further details see the museum website;
LANDSCAPE MAP OF THE SILK ROAD (until 20th February 2019)
A special exhibition "Landscape Map of the Silk Road" is being held at the Hong Kong Science Museum from 7th December 2018 until 20th February 2019. The exhibition displays the 30-metre-long "Landscape Map of the Silk Road", which is an important historical painting with significant cultural value.
"Landscape Map of the Silk Road” is about 30 metres long and 60 centimetres wide. The map was created as an imperial painting for the Jiajing Emperor in the Ming dynasty. With over 200 cities marked on the map, ranging from the Jiayu Pass in Gansu Province in the east to Mecca in Saudi Arabia in the west, it implies that the Chinese had grasped a clear understanding of the Silk Road as early as the 16th century.
Various interactive exhibits, models and maps of China and Hong Kong drawn in the 16th to 20th centuries are also be featured at the exhibition, enabling visitors to know more about the Chinese and Western perceptions of the geography of China in ancient times, as well as different cartographic techniques and functions of maps.
"Landscape Map of the Silk Road"
The exhibition is jointly presented by the Leisure and Cultural Services Department and the Palace Museum. The exhibition is jointly organised by the Hong Kong Science Museum, the Palace Museum and the Hong Kong Museum of History.
Hong Kong Science Museum is located at 2 Science Museum Road, Tsim Sha Tsui East. Hong Kong Science Museum is located at 2 Science Museum Road, Tsim Sha Tsui East. It is open on Mondays, Tuesdays, Wednesdays and Fridays: 10am – 7pm, Saturdays, Sundays and public holidays: 10am – 9pm, Christmas Eve and Chinese New Year's Eve: 10am – 5pm. The museum is closed every Thursday (except on public holidays) and the first two days of Chinese New Year. To visit the exhibition no additional fee is to the standard admission fees for the Permanent Exhibition Hall.
For further information see the museum website;
2018 TEA WARE BY HONG KONG POTTERS (until 2nd December 2019)
The "2018 Tea Ware by Hong Kong Potters" exhibition is being held from 5th December 2018 to 2nd December 2019 at the Flagstaff House Museum of Tea Ware. The exhibition shows the unlimited creativity of local potters, with more than 100 works from this year's tea ware competition on display.
This year's competition received an enthusiastic response, with a record number of 451 entries submitted by 332 potters.
In the Open Category, the first prize was awarded to Chan Cheuk-yan's "Encounter", while the second and the third prizes went to Enders Wong's "Joint Call" and Kwok Ka-fei's "Grand Canyon" respectively. The six winning entries for the prize of excellence were Hui Chun-kit's "Eclipse"; Enders Wong's "Your Charm, Your Way"; Monica Lin's "Gentle Thoughts"; Yung Yuk-ming's "Reverie"; Tung Wing-yin's "Encounter"; and Kwan Sau-man's "Paper Cup".
First Prize winner in the Open Category, Chan Cheuk-yan's "Encounter"
In the School Category, the winner of the first prize was Lau Hui-yau's "Tip of Dawn at Sixteen", while the winners of the second and the third prizes were Nicholas Leung's "The Price of Peace" and Leung Ching-tung's "Tea Time" respectively.
The "Tea Ware by Hong Kong Potters" competition was first held by the Flagstaff House Museum of Tea Ware in 1986 with the aim of promoting ceramic art in Hong Kong. This year's competition, the 11th edition, features 101 items of selected tea ware made by 88 local potters.
For more exhibition details, please visit the museum's website at;
Flagstaff House Museum of Tea Ware is located at 10 Cotton Tree Drive, Central, (inside Hong Kong Park). It is open from 10am to 6pm but closes at 5pm on Christmas Eve and Chinese New Year's Eve. Closed every Tuesday (except public holidays) and the first two days of Chinese New Year. Admission is free.
GILDED GLORY: CHAOZHOU WOODCARVING (to 25th February 2019)
The exhibition "Gilded Glory: Chaozhou Woodcarving" is running at the Hong Kong Museum of History from 8th November 2018 to 25th February 2019. With around 120 exhibits, the exhibition reveals the practical uses and artistic qualities of Chaozhou woodcarving, while also giving the audience a taste of the customs and humanistic spirit of Chaoshan region.
Highlight exhibits include a gilt wooden diamond-shaped food container featuring a pigmented lacquer painting of "Wine from Wang Maosheng"; a small gilt wooden shrine featuring a biwu dingshuai (awarding marshalship through a martial arts contest) motif; a gilt wooden divine sedan chair; painted queti brackets featuring "Tale of the lychee and mirror carved in relief"; a gilt wooden beam cushion featuring crab and plum blossoms in openwork; and a large gilt wooden lobster and crab cage in openwork provided by Mr Gu Liuxi, who inherited the national intangible cultural heritage of Chaozhou woodcarving.
A gilt wooden diamond-shaped food container featuring a pigmented lacquer painting of "Wine from Wang Maosheng"
Chaozhou woodcarving is known as "gilt wood", as lacquer and gold foil are often applied to give key parts or the entire work a magnificent gold finish. The ingenious openwork carving techniques, together with meaningful folk motifs and patterns, showcase the traditional lifestyle of the Chaoshan region. The exhibition also illustrates customs and traditions of the Chaoshan community in Hong Kong through various woodcarving works, including the Yu Lan Festival of the Hong Kong Chiu Chow Community, Chaozhou opera, Chaozhou music, dietary habits, customs and religious rituals.
Chaozhou woodcarving is a traditional Chinese folk handcraft with a long and distinguished history, and was popular across the Chaoshan region. Chaozhou woodcarving, along with Dongyang woodcarving, Huangyang woodcarving and Longyan woodcarving, are known as the "Four Greatest Schools of Woodcarving in China". In 2006, Chaozhou woodcarving was inscribed onto the first national list of intangible cultural heritage.
The exhibition is jointly presented by the Leisure and Cultural Services Department and the Department of Culture and Tourism of Guangdong Province, and jointly organised by the Hong Kong Museum of History and the Guangdong Museum.
Hong Kong Museum of History is located at 100 Chatham Road South, Tsim Sha Tsui. It is open from 10am to 6pm Mondays and Wednesdays to Fridays, 10am to 7pm Saturdays, Sundays and public holidays. Closed on Tuesdays (except on public holidays) and the first two days of Chinese New Year. Closes at 5pm on Christmas Eve and Chinese New Year’s Eve. Admission is free.
For further information see;
90 YEARS OF PUBLIC SERVICE BROADCASTING IN HONG KONG (until 25th February 2019)
The "90 Years of Public Service Broadcasting in Hong Kong" exhibition is running from 7th November 2018 to 25th February 2019 at the Hong Kong Heritage Museum. The exhibition showcases special moments in the history of Radio Television Hong Kong (RTHK) and the broadcasting industry in Hong Kong over the past 90 years.
To celebrate the milestone of the 90th anniversary of public service broadcasting in Hong Kong in 2018, the "90 Years of Public Service Broadcasting in Hong Kong" exhibition is jointly presented by the Leisure and Cultural Services Department and RTHK and jointly organised by the Hong Kong Heritage Museum and RTHK. Through the presentation of a recording studio, classic scenes from programmes including "Below the Lion Rock" and "City Forum" and displays of RTHK's invaluable photos and audio-visual archival materials, the exhibition showcases the development of Hong Kong's broadcasting industry with RTHK as the focus and lets visitors revisit glorious moments of the industry's history through sound and image.
Visitors can listen to various sound effects used in broadcasting
Radio and television broadcasting is closely related to the daily lives of Hong Kong people. The broadcasting industry provides news and entertainment, bears testimony to social events, and promotes history, culture and art. It has developed alongside society and has captured collective memories along the way.
In June 1928, the then Hong Kong Government took over a non-governmental radio broadcasting body, the Hong Kong Radio Society, to commence its broadcasting services. With "GOW" as its call sign, the broadcaster marked the founding of what is known today as RTHK. Since then, RTHK has become the sole public service broadcaster in Hong Kong. As the years passed, technological advances facilitated RTHK's innovation and evolution of programmes. In addition to its long-established radio service, RTHK later launched its TV service followed by the development of its website and mobile apps. News, information and entertainment are provided on various platforms to suit the public's changing lifestyle.
For details of the exhibition see;
Hong Kong Heritage Museum is located at 1 Man Lam Road, Sha Tin. It is open from 10am to 6pm on weekdays, and from 10am to 7pm on Saturdays, Sundays and public holidays. It is closed on Tuesdays (except public holidays). The museum is within three minutes walk of Che Kung Temple Station, on MTR Ma On Shan Line.
THE ACADEMIC & ART PUBLICATIONS OF PROFESSOR JAO TSUNG-I (until 26th February 2019)
To commemorate the life and achievements of Professor Jao Tsung-i, the master of Chinese studies, an exhibition "The Academic & Art Publications of Professor Jao Tsung-i" is being held from 3rd October 2018 until 26th February 2019 at the Hong Kong Central Library. The exhibition demonstrates Professor Jao's endeavours to pass on Chinese traditional culture, as well as his research achievements in the academic and art fields.
Professor Jao was very learned in matters of the ancient and modern worlds and strong in both the academic field and fine arts. His significant achievements contributed tremendously to the promotion of Chinese traditional culture. Professor Jao's research, spanning decades, covered areas including history, literature, language and religious studies as well as philosophy, arts and Chinese and Western cultures. He was world-renowned for his outstanding achievements.
Co-organised by the Hong Kong Public Libraries of the Leisure and Cultural Services Department and the Jao Tsung-I Petite Ecole of the University of Hong Kong, with the support of the Jao Link, the exhibition comprehensively displays Professor Jao's publications on various subjects in academic and art research, as well as calligraphy, manuscripts, offprints and more, along with works on studies of Professor Jao by scholars from Mainland China and Hong Kong.
The exhibition comprehensively displays Professor Jao's publications of various subjects in academic and art research, as well as calligraphy, manuscripts, offprints and more
To complement the exhibition, three talks, to be conducted in Cantonese, about Professor Jao's new approaches to painting and calligraphy, life wisdom and theory development will be held at the Lecture Theatre of the Hong Kong Central Library during October and December. Moreover, four bookmarks featuring Professor Jao's work "Four Screen Lotus" will be distributed for free to members of the public in phases while stocks last during the exhibition and the talks.
Admission to the exhibition and the talks is free.
Hong Kong Central Library is located at 66 Causeway Road, Causeway Bay.
For further information regarding the exhibition and talks see;
"BRUCE LEE: KUNG FU -ART - LIFE" (from 20th July 2013 until 20th July 2020*)
*Closure date extended from 20th July 2018
This year marks the 40th anniversary of the passing away of the internationally renowned martial arts movie star Bruce Lee. A large-scale exhibition, "Bruce Lee: Kung Fu • Art • Life", is being held at the Hong Kong Heritage Museum in commemoration. Presented by the Hong Kong Government's Leisure and Cultural Services Department (LCSD) and jointly organised by the Bruce Lee Foundation and the Hong Kong Heritage Museum, the exhibition is one of the highlight programmes of the "Vibrant Hong Kong" theme under the territory-wide "Hong Kong: Our Home" Campaign launched this year. Sponsored by Fortune Star Media Limited, the exhibition is open from 20th July 2013 and runs for five years until 20th July 2018 at the Hong Kong Heritage Museum.
The exhibition features more than 600 precious relics related to Bruce Lee and the exhibition gallery houses several sets of reconstructions, which were created with ideas inspired by prominent scenes in Lee's five classic kung fu movies as well as his gym and his study to enhance visitors' experiences in viewing the exhibition
Bruce Lee took kung fu to a whole new level of recognition and a new international audience with his natural charisma and physical prowess. He introduced Hong Kong to the world through his films and did more in this area than any other person. Movies such as "Fist of Fury", "The Way of the Dragon" and "Enter the Dragon" have been considered by film critics to be all-time classics that transcend generational, cultural and geographical boundaries. The exhibition takes visitors on a marvellous journey through the life and achievements of Lee: from a rebellious street fighting child growing up in Kowloon to accomplished Hollywood actor and director and revered kung fu master.
Bruce Lee was born on 27th November 1940, in San Francisco. His father, Lee Hoi-chuen, was a celebrated Cantonese opera actor and his mother, Ho Oi-yee, was a daughter of prominent Hong Kong businessman Ho Kom-tong. Lee was brought back to Hong Kong when he was a newborn. Because of his father's strong connections to the world of show business, Lee first came into contact with cinema when he was an infant, making his silver screen debut as a baby in the Cantonese film "Golden Gate Girl", shot in the US in 1941. Outstanding performances in the films "The Kid" (1950) and "Infancy" (1951) earned him praise as a "genius child actor". He left for the US to pursue his studies in 1959 after finishing a final film in Hong Kong, "The Orphan" (1960).
Lee was passionate about martial arts when he was small. He became a student of the Wing Chun grandmaster Ip Man at the age of 13. After he went to the US, the lifestyles and world views of Western society became catalysts for his new conception of the philosophy of martial arts. He began teaching Wing Chun when he was studying at Edison Technical School in Seattle, and later, in 1962, he founded his own Jun Fan Gung Fu Institute at a permanent venue. He also named the martial arts system that had been brewing in his mind Jeet Kune Do - a style with no fixed technical movements and no specific forms.
In 1965, Lee was invited by 20th Century Fox to play the role of Kato in the US TV series "The Green Hornet". His agile and skilful kung fu alerted Hong Kong film producers to his talents, and in 1971 he returned to Hong Kong to resume his career and starred in a number of sensational movies, including "The Big Boss" (1971), "Fist of Fury" (1972), "The Way of the Dragon" (1972) and "Enter the Dragon" (1972). His true and hard-hitting kung fu and jaw-dropping nunchaku skills mesmerised audiences. Lee not only took Chinese kung fu films to the international market but also reached the peak of his life and his career. Sadly, he died suddenly during the shooting of his last film, "The Game of Death", on July 20, 1973, at the age of 32.
Occupying a total area of 850 square metres, the "Bruce Lee: Kung Fu • Art • Life" exhibition features more than 600 precious relics related to Bruce Lee on loan from a number of local and overseas collectors, including memorabilia of Lee and his costumes, books and gym equipment, as well as his articles. The exhibition gallery also houses several sets of reconstructions, which were created with ideas inspired by prominent scenes in Lee's five classic kung fu movies as well as his gym and his study. Also featuring a 3D hologram animation on Bruce Lee, a newly created 3.5-metre-high statue of Lee and the 75-minute documentary "The Brilliant Life of Bruce Lee", the exhibition will enable visitors to review Lee's life story based on his profile, his movies, his martial arts and his development as a cultural phenomenon from a more comprehensive, in-depth and independent perspective.
Displays from the Bruce Lee: Kung Fu. Art. Life exhibition
The exhibition will also include a collector series in which the theme will be changed regularly to show the precious collections of different collectors with an aim of introducing the cultural significance and the influence of Bruce Lee through the collectors' eyes. The first exhibition in the collector series will feature more than 100 products related to the TV series "The Green Hornet" provided by internationally acclaimed US collector Perry Lee. Through this collection, visitors will be able to learn more about the first image of Bruce Lee branded by a US enterprise.
To mark the first anniversary of the exhibition, in July 2014 the museum introduce 12 new sets of exhibits and graphic displays to add a new dimension to our appreciation of the life of the iconic kung fu master. These include Lee's own manuscripts analysing his persona (named Lee) in the film "Enter the Dragon" (loaned from the Bruce Lee Foundation), the metal claw designed by Lee as a prop for "Enter the Dragon" (loaned from Hong Kong collector Mr Stanley Zau Chwan-yeu) and a booked titled "Hu Wei San Jie Gun" ("Tiger Tail Three-section Cudgel") from Lee's personal library (loaned from American collector Mr Perry Lee).
In addition, the main panel at the entrance of the exhibition has been replaced by a new design created by acclaimed Hong Kong computer animator Mr Shannon Ma, which shows Lee's more graceful side. It also offers visitors the chance to be photographed alongside an image of Lee, in which he is wearing sunglasses and a confident smile.
The new main panel at the exhibition entrance, introduced to mark its first anniversary allows visitors to be photographed alongside the star.
To tie in with the five-year exhibition, the Hong Kong Heritage Museum will organise a series of education and extension programmes with different themes which will be carried out in phases. The first phase of activities, under the theme "The Bruce Lee that Hong Kong Knew", will include lectures, sharing sessions and interactive demonstrations to explore the life, career and achievements of Bruce Lee from different perspectives.
To enable the public to obtain more information about "Bruce Lee: Kung Fu • Art • Life" and to enhance their interest in the exhibition, interactive media will be employed along with social media, a dedicated exhibition website and smartphone apps. Members of the public will be able find from the LCSD's newly launched Facebook fan page, "Visit HK Museums" (www.facebook.com/VisitHKMuseums), a public engagement campaign, directional day tour and exhibition promotional videos, highlights of must-see exhibits, interviews, quotes and the making-of materials for the exhibition.
During the early stage of the exhibition, the museum will arrange viewing sessions and online reservation of tickets for the first two months (from mid-July to mid-September) after the exhibition opens. Visitors can, via email, reserve tickets for a time slot that fits their schedule through the Hong Kong Heritage Museum's online reservation website at blor.lcsd.gov.hk. Visitors will also be able to purchase tickets at the museum.
Online reservation is being conducted in two phases:
* Phase 1: From 10am on 4th July onwards (for exhibition dates from 20th July to August 19th)
* Phase 2: From 10am on 1st August onwards (for exhibition dates from 20th August to 20th September)
Interested parties will only be allowed to make reservations for a maximum of three viewing sessions and four tickets for each session during each phase of online reservation while the quota lasts. The quota will be available on a first-come, first-served basis.
As the exhibition is classified as a long-term exhibition of Hong Kong Heritage Museum, visitors will only need to pay the museum's standard admission fees to visit the exhibition without any additional charges. However, visitors will be required to present the special admission slip for viewing the exhibition. Standard admission to the Hong Kong Heritage Museum is HK$10 with a half-price concession available for full-time Hong Kong students, people with disabilities and senior citizens aged 60 or above. Group tickets at HK$7 each are available to groups of 20 persons or more. Admission is free on Wednesdays.
Hong Kong Heritage Museum is located at 1 Man Lam Road, Sha Tin. It is open from 10am to 6pm on weekdays, and from 10am to 7pm on Saturdays, Sundays and public holidays. It is closed on Tuesdays (except public holidays). The museum is within three minutes walk of Che Kung Temple Station, on MTR Ma On Shan Line.
For further details of the exhibition, see the museum's website;
EXHIBITIONS AT HONG KONG INTERNATIONAL AIRPORT
Hong Kong International Airport holds a number of concurrent small exhibitions which departing passengers can visit. For details of current exhibitions at the airport see;