CURRENT EXHIBITIONS 


EXHIBITION ON CHINA'S LUNAR EXPLORATION PROGRAMME (until 24th August 2014) 

A new exhibition entitled "Exhibition on China's Lunar Exploration Programme" is running at Hong Kong Science Museum from 21st July 2014 until 24th August 2014.

China achieved its first soft landing and ground exploration on the lunar surface in December 2013 by the successful landing of Chang'e-3 with its lander and the lunar rover. This marked another milestone for the development of aerospace technology in China, following the launch of satellites and the manned space docking mission. Hong Kong Polytechnic University had participated in this important project and contributed to China's aerospace development.

The success of the Chang'e-3 mission played an important role in the future of the lunar exploration project. With the development of China's aerospace technology, it is believed that Chinese astronauts will soon be able to land on the moon and collect samples from the surface of the moon for the conduction of more scientific research, bring new hope to the space exploration by the mankind. China launched the Chang'e Programme lunar exploration project in 2004 and completed the orbiting phase by launching the Chang'e-1 and Chang'e-2 lunar probes in 2007 and 2010 respectively, helping to gather more data for a lunar landing.

The Yutu Lunar Rover, a six-wheel drive vehicle capable of self-steering on the lunar surface through auto-navigation or remote control from earth

Featuring around 20 sets of models and specially designed interactive exhibits, including the lunar lander for Chang'e-3, the Yutu Lunar Rover, Long March rockets, a satellite, simulations of the launch site and the lunar rover, the exhibition offers the public a great opportunity to learn more about the accomplishments of the Chang'e-1, 2 and 3 missions, scientific knowledge related to China's lunar exploration programme, and the moon itself. In addition, the exhibition introduces details of local participation in the space technology used for the Chang'e-3 mission, including the "Camera Pointing System" jointly developed by researchers of the Hong Kong Polytechnic University and China Academy of Space Technology, and the "Innovative lunar mapping techniques" developed by the Department of Land Surveying and Geo-Informatics of the Hong Kong Polytechnic University. The former was mounted on the upper part of the lander and deployed for capturing panoramic images of the moon as well as the release and movement of the Yutu Lunar Rover. The latter was deployed in the topographical analysis of the moon and the selection of the landing site, contributing to the successful landing of Chang'e-3.

A model of the Chang'e-3 lander, which uses various advanced technologies allowing it to decelerate steadily at a distance of 15 kilometres from the lunar surface. With the help of a landing camera and a laser altimeter it is able to locate a suitable site and accomplish lunar landing 

The exhibition is presented by the Home Affairs Bureau and the China National Space Administration, organised by the Leisure and Cultural Services Department, the News Center of China National Space Administration, and the Lunar Exploration and Space Program Center of China National Space Administration, in association with the Chinese Academy of Sciences, the China Aerospace Science and Technology Corporation, the China Aerospace Science and Industry Corporation, the China Electronics Technology Group Corporation, the Xichang Satellite Launch Center, the Beijing Aerospace Control Center, and the Hong Kong Polytechnic University. It is sponsored by the Chinese General Chamber of Commerce and the Glorious Sun Holdings Limited, China Resources (Holdings) Co Ltd, China Merchants Group Ltd, China National Travel Service (HK) Group Corporation, and Aisino Corporation.

Admission to the exhibition is free. For more details, please visit the museum's website;

http://hk.science.museum/ms/cle/eindex.html

ASSIMILATION INTO HAN CULTURE: THE ANCIENT FUNERARY POTTERY OF GUANGXI (until 15th September 2014)

An exhibition titled "Assimilation into Han Culture: The Ancient Funerary Pottery of Guangxi", is being held at the Hong Kong Museum of History from 16th July 2014 until 15th September 2014. The exhibition reveals details of how Guangxi people lived and the dwellings they lived in more than 2,000 years ago by showcasing historic clay models including houses, granaries and wells unearthed in Guangxi.

The exhibition is jointly presented by the Leisure and Cultural Services Department, the Department of Culture of Guangxi Zhuang Autonomous Region and the Bureau of Cultural Relics of Guangxi Zhuang Autonomous Region, and is co-organised by the Hong Kong Museum of History and the Guangxi Institute of Cultural Relic Protection and Archaeology.

As they are both situated in the Lingnan region, Hong Kong and Guangxi share similar cultural roots. The exhibition features 76 items/sets of rare burial pottery dating from the Western Han to the Southern Dynasties including model houses, granaries, wells, stoves, and boat and animal figurines. These precious cultural relics reflect the assimilation of the Yue and Han cultures in the Lingnan region, and illustrate details of residential architectural features and social and economic life in Guangxi during the Han Dynasty.

A clay model house with hip roof of the Eastern Han Dynasty. Collection of Hepu County Museum

Two pottery models - a granary and a well - unearthed from the Lei Cheng Uk Han Tomb, the forms of which were very similar to those unearthed in Guangxi, are highlighted at the exhibition to demonstrate the common Lingnan cultural roots shared by Hong Kong and Guangxi.

As beliefs and customs such as "ruling by filial piety" and "honouring the dead as if they were alive" were advocated in the early Han, funerals involved many burial items - sometimes as many as those needed by the living. Pottery items related to eating, living, clothing and even travelling were made and buried in tombs with the deceased. These items were buried alongside the dead so they could enjoy an equally pleasant life in the afterworld.

 

A red clay boat with drum and figurines of the Eastern Han Dynasty vividly depicts the structure of boats from that period and also shows how people lived on the water. Collection of Guangxi Institute of Cultural Relic Protection and Archaeology

During the mid-Western Han to late Eastern Han, funerary objects closely related to daily life were found in large quantities. These include various pottery items such as model houses, granaries, wells, stoves, paddy fields, and human and animal figurines. In particular, the model houses faithfully depict the living conditions of the time as they encapsulate in miniature people's dwellings during the Han dynasty. The changes in the pottery models' shapes and forms also reflect the interaction of various cultures and the socio-economic development of the time. These pottery models created more than 2,000 years ago not only reveal people's beliefs, they also illustrate forms, features, and development patterns of ancient architecture. Moreover, they provide crucial data in the study of social and economic development.

Hong Kong Museum of History is located at 100 Chatham Road South, Tsim Sha Tsui, Kowloon and is open from 10am to 6pm Mondays and Wednesdays to Fridays, 10am to 7pm Saturdays, Sundays and public holidays. Closed on Tuesdays (except on public holidays). Admission to the exhibition is free. For further details see;

hk.history.museum/en_US/web/mh/exhibition/current.html

PARIS•CHINESE PAINTING - LEGACY OF THE 20th CENTURY CHINESE MASTERS (until 21st September 2014)

Works by prominent 20th century Chinese artists are on show at an exhibition entitled "Paris•Chinese Painting - Legacy of the 20th Century Chinese Masters" at the Hong Kong Museum of Art from 20th June 2014 until 21st September 2014. The exhibition will feature works by artists including Xu Beihong, Lin Fengmian, Pan Yuliang, Sanyu, Pang Xunqin, Zao Wou-ki, Chu Teh-chun and Wu Guanzhong.

Presented by the Leisure and Cultural Services Department, the exhibition is jointly organised by the Hong Kong Museum of Art, the Musée Cernuschi and the Musée National des Arts Asiatiques - Guimet, and is supported by the Consulate General of France in Hong Kong and Macau. It is sponsored by Bank of China (Hong Kong) Private Banking and is one of the programmes of Le French May. Le French May, which is now in its 22nd edition, has been one of the most prominent and long-standing international cultural exchange programmes in Asia.

To mark the 50th anniversary of the establishment of Sino-French diplomatic relations, the Hong Kong Museum of Art organised this large-scale Chinese painting exhibition in collaboration with renowned arts institutions in France such as the Musée Cernuschi, the Musée National des Arts Asiatiques - Guimet, the Musée d'Orsay and the Centre Pompidou. The exhibition is one of the major events commemorating the artistic exchanges between China and France, and the artworks on display reflect the close relations between the two nations dating back to the early 20th century.

 

"Seated Nude" by Pan Yuliang

The exhibition has been created by the distinguished curators from museums in France and Hong Kong and presents the exquisite works of world-renowned Chinese painters who furthered their studies in France in the last century from a unique and innovative perspective. As pioneers of the artistic and cultural exchanges between the two countries, the artists have contributed enormously to the blending of Eastern and Western painting skills in their artworks and showcased the distinctive beauty and charm of the two cultures.

 

"Ladies in a Garden" by Lin Fengmian

Since the early 20th century, generations of Chinese artists have undergone training in oil painting and sculpture in France. In Paris, the capital of art and culture, they explored Western painting techniques and concepts. The exposure helped these artists to draw on both Chinese and Western cultures, and inspired them to create many stunning works of art. Their achievements resulted in a new artistic phenomenon in China. Featuring about 100 works including oil paintings, Chinese ink paintings, sketches, lithographs, sculptures and more, the exhibition will demonstrate the impact of European art on 20th century Chinese painting.

For further details of the exhibition see the museum's website;

 http://www.lcsd.gov.hk/CE/Museum/Arts/en_US/web/ma/exhibition.html#03

HISTORICAL IMPRINTS OF LINGNAN: MAJOR ARCHAELOGICAL DISCOVERIES OF GUANGDONG, HONG KONG AND MACAO (until 1st September 2014)

An exhibition titled "Historical Imprints of Lingnan: Major Archaeological Discoveries of Guangdong, Hong Kong and Macao" is being held at the Hong Kong Museum of History from 11th June 2014 until 1st September 2014, tracing the history and development of civilisation in the Lingnan region through archaeological finds from a number of important sites in Guangdong, Hong Kong and Macau. The exhibition is jointly presented by the Department of Culture of Guangdong Province, the Home Affairs Bureau of the Hong Kong Special Administrative Region Government and the Cultural Affairs Bureau of Macao Special Administrative Region Government (SARG), and is co-organised by the Guangdong Museum, the Hong Kong Museum of History and the Macao Museum.

Archaeological work has taken giant strides in Guangdong, Hong Kong and Macau in the last three decades, and has recorded outstanding accomplishments. Nine excavation projects in the region have been named among the "Ten Most Significant New Archaeological Discoveries in China", including an excavation project in Ma Wan in Hong Kong in 1997. The exhibition is the largest exhibition yet of archaeological discoveries in Guangdong, Hong Kong and Macau, showcasing over 700 archaeological items on loan from more than 30 cultural organisations and museums.

 

Blue and white kraak dish with deer design of the late Ming dynasty unearthed from the site at St Paul's College, Macau. Collection of the Cultural Heritage Department of the Cultural Affairs Bureau of Macau

The exhibition highlights the close cultural connection between the three places since ancient times, as well as covering the technological advancements in archaeological excavation and the progress made in promoting archaeology to the public in the three places over the decades. Archaeological findings indicate that the human history and culture of the Lingnan region date back more than 100 000 years. The exhibition explores the historical and cultural development of Guangdong, Hong Kong and Macau from the Palaeolithic Period to the Ming dynasty. Highlights include exquisite stone tools and pottery unearthed from Neolithic sites in the three places, architectural relics and burial items discovered in the palace and mausoleum sites of Guangzhou's Nanyue Kingdom, exported porcelain items of the Song and Ming dynasties salvaged from the shipwrecks of the Nanhai No. 1 in Yangjiang and the Nan'ao No. 1 in Shantou, and the Ming dynasty blue and white porcelains excavated from the St Paul's College site in Macau.

 

Dehua white-glazed ewer with melon-shaped belly in the Southern Song Dynasty salvaged from Nanhai No 1 shipwreck. Collection of the Maritime Silk Road Museum of Guangdong

Hong Kong Museum of History is located at 100 Chatham Road South, Tsim Sha Tsui, Kowloon. Admission to the exhibition is free. The museum is closed on Tuesdays (except on public holidays). For details of the exhibition see the museum's website;

hk.history.museum/en_US/web/mh/exhibition/current.html

In conjunction with the exhibition, an international conference will be held on August 16 and 17 at the Hong Kong Museum of History. Twenty experts and scholars from Mainland China, Hong Kong, Macau, the United Kingdom and New Zealand will share their latest research on the Song and Ming periods of Lingnan history, archaeological technology, conservation of archaeological sites and recent archaeological discoveries. Details will be available on the museum's website in mid-July.

 

THE EXTRAORDINARY IN THE ORDINARY: CHAIRS FOR VIEWING THE WORLD THROUGH TIME (until 15th September 2014)

American poet Theodore Roethke once wrote, "A funny thing about a chair: You hardly ever think it's there." Chairs are very much part of everyday life as we spend a lot of time sitting down, whether we are at home, at work, commuting, resting or at a social gathering. However, how many of us appreciate the designs of chairs and the stories behind these pieces of furniture?

From 7th June 2014 until 15th September 2014, visitors to Hong Kong Heritage Museum can view precious chairs from around the world in an exhibition entitled "The Extraordinary in the Ordinary: Chairs for Viewing the World through Time", and discover the hidden facets of chairs spanning history, culture and art from ancient times to the recent past. Presented by the the Hong Kong Government's Leisure and Cultural Services Department (LCSD), and co-organised by the Palace Museum and the Hong Kong Heritage Museum, the exhibition is a highlight under "Please Have a Seat", the first large-scale event on the theme of chairs launched by the Hong Kong Heritage Museum and featuring a wide range of programmes to bring visitors closer to the world of chairs.

More than 100 valuable exhibits have been selected for display from the collections of the world's leading museums as well as some of the LCSD's museums. These include the Palace Museum, the Trustees of the British Museum, the Metropolitan Museum of Art in the United States (US), the Brooklyn Museum in the US, the Science Museum of London, the Victoria and Albert Museum in the United Kingdom (UK), the National Trust in the UK, the Shakespeare Birthplace Trust in the UK, the Imperial Furniture Collection - Vienna Furniture Museum in Austria, the Hong Kong Museum of Art, the Hong Kong Museum of History and the Hong Kong Heritage Museum.

This bidet chair in carved walnut and mounted with a removable, carved cover was a piece of luxury furniture in Europe in the 18th century. It has compartments with a hinged flap for storing small things, as well as a porcelain basin

Different types and styles of chairs are displayed in the exhibition, including seats used by emperors, the nobility and commoners and chairs designed for specific functions and trades, as well as those specially designed for men, women, children and the elderly. Visitors are able to learn more about the seating customs of select ethnic groups, the evolution of chairs, chairs as symbols of authority and status, chairs in everyday life, chairs in religion and beliefs, and the role of chairs in political, economic and cultural exchange.

In addition to the exhibition, another highlight programme entitled "A Fantasy of Chairs - Creative Art Zone" will be held under the "Please Have a Seat" event. For "A Fantasy of Chairs - Creative Art Zone", students from the Hong Kong Design Institute and the Hong Kong Institute of Vocational Education (Lee Wai Lee) have designed and created 300 fantastic chairs for display at the museum lobby, making the public space outside the exhibition hall a platform for local young designers to showcase their creativity. In addition, students have also produced an interactive game and an animation featuring the story of the Egyptian pharaoh Tutankhamun and his Golden Throne for showing in the exhibition.

300 chairs, designed and created for the exhibition by students are on display in the museum's lobby

From 7th June to 31st August 2014, members of the public can visit the two spectacular exhibitions being concurrently staged in the museum at a concessionary price by buying combined tickets for this exhibition and the "Studio Ghibli Layout Designs: Understanding the Secrets of Takahata and Miyazaki Animation" exhibition (see below).

For further details of the exhibition see the museum's website;

http://www.heritagemuseum.gov.hk/eng/exhibitions/exhibition_details.aspx?exid=216






STUDIO GHIBLI LAYOUT DESIGNS: UNDERSTANDING THE SECRETS OF TAKAHATA AND MIYAZAKI ANIMATION (until 31st August 2014)

The secrets of excellent animation films are hidden in the layouts. A layout not only contains the director's ideas and spirit, but also codes of directions for team members including animators and cameramen. The "Studio Ghibli Layout Designs: Understanding the Secrets of Takahata and Miyazaki Animation" exhibition is being staged in Hong Kong from 14th May 2014 to 31st August 2014 at the Hong Kong Heritage Museum.

The exhibition, which is the first in Hong Kong to cover the work of Studio Ghibli, is presented by the Leisure and Cultural Services Department and organised by the Hong Kong Heritage Museum with the co-operation of Studio Ghibli and the Ghibli Museum, Mitaka. Solely sponsored by the Hong Kong Jockey Club Charities Trust, it is one of the exhibitions in the 2014 Hong Kong Jockey Club Series.

Photography areas are provided at the exhibition where visitors can take pictures with little Princess Kaguya 

Studio Ghibli, co-founded by Hayao Miyazaki and Isao Takahata, is firmly established as one of the most important makers of animated films. Over the years, Takahata and Miyazaki have both brought to life many masterpieces of animation, including the highly acclaimed "My Neighbor Totoro", "Castle in the Sky" and "Spirited Away", in which the stories are rich in imagination and thought-provoking.

The exhibition provides a perfect opportunity for art lovers and the general public to take a close-up look at some 1,300 original works of layout designs and animation clips.

The layout designs from Studio Ghibli's films on display in the exhibition have acted as "blueprints" in the animation-making process. Such layouts were first introduced into the production system by Takahata and Miyazaki in 1974 for the TV series "Heidi a girl of the Alps". A layout is an individual piece of paper onto which all the relevant information of a scene is written, such as the relative positions of the backgrounds and characters, directions on action, indications on whether or not there will be camera movement and, if so, at what speed, and any other camerawork effects. The role of a layout is crucial in providing an overview and sense of unity for a production.

Visitors can take photos with Totoro and Ponyo at the photography area "Totoro's Wonderland and Ponyo's Beach" 

Following Studio Ghibli's touring stops in Japan and Korea, layout designs selected from its classic works including "Nausicaä of the Valley of the Wind", "Grave of the Fireflies", "Kiki's Delivery Service", "My Neighbor Totoro", "Howl's Moving Castle", "Spirited Away", "Ponyo on the Cliff by the Sea" and the latest release "The Wind Rises" are being exhibited in Hong Kong. Visitors also have the privilege of viewing layouts from Takahata's "The Tale of The Princess Kaguya" before the film screens in Hong Kong cinemas this summer.

During the exhibition period, exhibition booklets and a series of souvenirs produced by Studio Ghibli are available for purchase at the gift shop of the Hong Kong Heritage Museum, while stocks last.

In addition, photography areas will be provided at the Hong Kong Heritage Museum where visitors can take photos with the family of raccoon dogs of "Pom Poko" and little Princess Kaguya. Photo-taking with Totoro and Ponyo will be also available at "Totoro's Wonderland and Ponyo's Beach". Also, "Studio Ghibli Poster Retrospective" will feature posters of 15 films on display to rekindle visitors' memories, and "Soot-Sprite Workshop" allows visitors to create their own soot-sprites, upload their works and participate in a game entitled "Soot Sprite • A Stylish Call".

Hong Kong Heritage Museum is also holding a special series of education programmes with the theme of "Studio Ghibli's Animation World Series: Far Beyond Your Dreams and Imagination". These will include lectures, workshops and screenings, providing participants with chances to explore the animation art of Studio Ghibli and to discover the latest developments in animation production in Japan and Hong Kong.

Hong Kong Heritage Museum is located at 1 Man Lam Road, Sha Tin, New Territories and is open from 10am to 6pm Monday and Wednesday to Friday, 10am to 7pm Saturdays, Sundays and public holidays. Closed on Tuesdays (except public holidays).

For further details of the exhibition and education programmes see the Hong Kong Heritage Museum's website;

http://www.heritagemuseum.gov.hk/eng/exhibitions/exhibition_details.aspx?exid=214






A JOURNEY THROUGH HONG KONG'S POSTAL HISTORY - A GLIMPSE OF HONG KONG'S POSTAL HISTORY THROUGH THE OLD GENERAL POST OFFICE BUILDING 1911 - 1976 (until 26th August 2014)

Hongkong Post and the Antiquities and Monuments Office are jointly holding an exhibition titled “A Journey through Hong Kong's Postal History - A Glimpse of Hong Kong's Postal History through the Old General Post Office Building (1911-1976)” at the Hong Kong Heritage Discovery Centre from 30th April 2014 to 26th August 2014. Admission is free for members of the public.

The exhibition showcases the old General Post Office (GPO) building that once stood at the junction of Des Voeux Road and Pedder Street. It also portrays the development of the local postal service from 1911 to 1976 when the building was in use, and reflects on the social changes during the period. The daily postal operations carried out in the building are illustrated with archived materials including photos, postal tools and stamps issued during the period, as well as the personal recollections of post office staff who worked there. The exhibition also highlights the distinctive architectural features of the old GPO building and features a collection of models based on the building.

Hong Kong Discovery Centre is located in Kowloon Park, Haiphong Road, Tsim Sha Tsui and is open from 10am to 6pm Monday to Wednesday and Friday, 10am to 7pm Saturdays, Sundays and public holidays. Closed on Thursdays (except public holidays). 

 

 






"BRUCE LEE: KUNG FU -ART - LIFE" (five-year exhibition, runs from 20th July 2013 until 2018)

This year marks the 40th anniversary of the passing away of the internationally renowned martial arts movie star Bruce Lee. A large-scale exhibition, "Bruce Lee: Kung Fu • Art • Life", is being held at the Hong Kong Heritage Museum in commemoration. Presented by the Hong Kong Government's Leisure and Cultural Services Department (LCSD) and jointly organised by the Bruce Lee Foundation and the Hong Kong Heritage Museum, the exhibition is one of the highlight programmes of the "Vibrant Hong Kong" theme under the territory-wide "Hong Kong: Our Home" Campaign launched this year. Sponsored by Fortune Star Media Limited, the exhibition is open from 20th July 2013 and will run for five years at the Hong Kong Heritage Museum.



The exhibition features more than 600 precious relics related to Bruce Lee and the exhibition gallery houses several sets of reconstructions, which were created with ideas inspired by prominent scenes in Lee's five classic kung fu movies as well as his gym and his study to enhance visitors' experiences in viewing the exhibition

Bruce Lee took kung fu to a whole new level of recognition and a new international audience with his natural charisma and physical prowess. He introduced Hong Kong to the world through his films and did more in this area than any other person. Movies such as "Fist of Fury", "The Way of the Dragon" and "Enter the Dragon" have been considered by film critics to be all-time classics that transcend generational, cultural and geographical boundaries. The exhibition takes visitors on a marvellous journey through the life and achievements of Lee: from a rebellious street fighting child growing up in Kowloon to accomplished Hollywood actor and director and revered kung fu master.

Bruce Lee was born on 27th November 1940, in San Francisco. His father, Lee Hoi-chuen, was a celebrated Cantonese opera actor and his mother, Ho Oi-yee, was a daughter of prominent Hong Kong businessman Ho Kom-tong. Lee was brought back to Hong Kong when he was a newborn. Because of his father's strong connections to the world of show business, Lee first came into contact with cinema when he was an infant, making his silver screen debut as a baby in the Cantonese film "Golden Gate Girl", shot in the US in 1941. Outstanding performances in the films "The Kid" (1950) and "Infancy" (1951) earned him praise as a "genius child actor". He left for the US to pursue his studies in 1959 after finishing a final film in Hong Kong, "The Orphan" (1960).

Lee was passionate about martial arts when he was small. He became a student of the Wing Chun grandmaster Ip Man at the age of 13. After he went to the US, the lifestyles and world views of Western society became catalysts for his new conception of the philosophy of martial arts. He began teaching Wing Chun when he was studying at Edison Technical School in Seattle, and later, in 1962, he founded his own Jun Fan Gung Fu Institute at a permanent venue. He also named the martial arts system that had been brewing in his mind Jeet Kune Do - a style with no fixed technical movements and no specific forms.

In 1965, Lee was invited by 20th Century Fox to play the role of Kato in the US TV series "The Green Hornet". His agile and skilful kung fu alerted Hong Kong film producers to his talents, and in 1971 he returned to Hong Kong to resume his career and starred in a number of sensational movies, including "The Big Boss" (1971), "Fist of Fury" (1972), "The Way of the Dragon" (1972) and "Enter the Dragon" (1972). His true and hard-hitting kung fu and jaw-dropping nunchaku skills mesmerised audiences. Lee not only took Chinese kung fu films to the international market but also reached the peak of his life and his career. Sadly, he died suddenly during the shooting of his last film, "The Game of Death", on July 20, 1973, at the age of 32.

Occupying a total area of 850 square metres, the "Bruce Lee: Kung Fu • Art • Life" exhibition features more than 600 precious relics related to Bruce Lee on loan from a number of local and overseas collectors, including memorabilia of Lee and his costumes, books and gym equipment, as well as his articles. The exhibition gallery also houses several sets of reconstructions, which were created with ideas inspired by prominent scenes in Lee's five classic kung fu movies as well as his gym and his study. Also featuring a 3D hologram animation on Bruce Lee, a newly created 3.5-metre-high statue of Lee and the 75-minute documentary "The Brilliant Life of Bruce Lee", the exhibition will enable visitors to review Lee's life story based on his profile, his movies, his martial arts and his development as a cultural phenomenon from a more comprehensive, in-depth and independent perspective.

 

Displays from the Bruce Lee: Kung Fu. Art. Life exhibition

The exhibition will also include a collector series in which the theme will be changed regularly to show the precious collections of different collectors with an aim of introducing the cultural significance and the influence of Bruce Lee through the collectors' eyes. The first exhibition in the collector series will feature more than 100 products related to the TV series "The Green Hornet" provided by internationally acclaimed US collector Perry Lee. Through this collection, visitors will be able to learn more about the first image of Bruce Lee branded by a US enterprise.

To tie in with the five-year exhibition, the Hong Kong Heritage Museum will organise a series of education and extension programmes with different themes which will be carried out in phases. The first phase of activities, under the theme "The Bruce Lee that Hong Kong Knew", will include lectures, sharing sessions and interactive demonstrations to explore the life, career and achievements of Bruce Lee from different perspectives.

To enable the public to obtain more information about "Bruce Lee: Kung Fu • Art • Life" and to enhance their interest in the exhibition, interactive media will be employed along with social media, a dedicated exhibition website and smartphone apps. Members of the public will be able find from the LCSD's newly launched Facebook fan page, "Visit HK Museums" (www.facebook.com/VisitHKMuseums), a public engagement campaign, directional day tour and exhibition promotional videos, highlights of must-see exhibits, interviews, quotes and the making-of materials for the exhibition.

During the early stage of the exhibition, the museum will arrange viewing sessions and online reservation of tickets for the first two months (from mid-July to mid-September) after the exhibition opens. Visitors can, via email, reserve tickets for a time slot that fits their schedule through the Hong Kong Heritage Museum's online reservation website at blor.lcsd.gov.hk. Visitors will also be able to purchase tickets at the museum.

Online reservation is being conducted in two phases:

* Phase 1: From 10am on 4th July onwards (for exhibition dates from 20th July to August 19th)

* Phase 2: From 10am on 1st August onwards (for exhibition dates from 20th August to 20th September)

Interested parties will only be allowed to make reservations for a maximum of three viewing sessions and four tickets for each session during each phase of online reservation while the quota lasts. The quota will be available on a first-come, first-served basis.

As the exhibition is classified as a long-term exhibition of Hong Kong Heritage Museum, visitors will only need to pay the museum's standard admission fees to visit the exhibition without any additional charges. However, visitors will be required to present the special admission slip for viewing the exhibition. Standard admission to the Hong Kong Heritage Museum is HK$10 with a half-price concession available for full-time Hong Kong students, people with disabilities and senior citizens aged 60 or above. Group tickets at HK$7 each are available to groups of 20 persons or more. Admission is free on Wednesdays.

Hong Kong Heritage Museum is located at 1 Man Lam Road, Sha Tin. It is open from 10am to 6pm on weekdays, and from 10am to 7pm on Saturdays, Sundays and public holidays. It is closed on Tuesdays (except public holidays). The museum is within three minutes walk of Che Kung Temple Station, on MTR Ma On Shan Line.

For further details of the exhibition, see the museum's website; 

http://www.heritagemuseum.gov.hk/eng/attractions/attractions.aspx 



EXHIBITIONS AT HONG KONG INTERNATIONAL AIRPORT

Hong Kong International Airport holds a number of concurrent small exhibitions which departing passengers can visit. For details of current exhibitions at the airport see;

http://www.hongkongairport.com/eng/passenger/attractions-at-hkia/attractions-at-hkia.html